KILT

revolutionizing
the creative idea

CALL OF DUTY2013 EFFIE AWARD WINNER

Call of Duty Modern Warfare 3 advert, “The Vet and the N00b” and 72andSunny have won the 2013 North American Effie Award. The spot launched in late in 2011 and early 2012 was directed by Peter Berg with Pony Show Entertainment with the post handled by KILT Studios. The “Vet and the N00b” promoted the Call of Duty brand to a billion dollars in sales in just 16 days shattering previous campaigns.

SLIM JIM DAREAICP SHORT LIST

Kilt Studios was Short Listed for the 2013 AICP Awards with Untitled director, Glenn Martin, for their work on Slim Jim “Fire.”

Queen of EnglandAndyMac

LONDON, UK - The Queen of England receives AndyMac for a reception at Windsor Castle for the British Academy of Film and Television.

MILLER LITEQUESLTLOVE

QUESTLOVE’s impossibly long records room.

LOWE'SNEIGHBORHOOD

Culver City, CA  - KILT Studios collaborated with BBDO New York and Pony Show Entertainment to produce the newly launched LOWE’S brand campaign. The campaign, directed by Peter Berg, envisions what LOWE’S can do not only for you and your home but how that can inspire your neighbors and your neighborhood to improve what they have. The spot is currently airing.

for a Custom Reel, please click here >

Kilt News

Call of Duty wins 2013 Grand Effie

72andSunny Win North American Grand Effie

05/23/2013

click here for full story.

Ameritrade JOE is spot of the Week

10/22/2012

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KILT Does it for Walgreens

GSD&M Bows First Work for Walgreens

10/22/2012

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NIKKI Wins VMA

09/07/2012

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Spotlight

Pacific Standard Time. Don't Miss Out,

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Westside Food Truck;

You're Welcome.

Eat-Up!

Foodie Field Trips- In Culver City + Pasadena.

Makes for a Great Gift!

Have fun.

Call of Duty is Grand Effie Winner

"The Vet and the N00b" and 72andSunny Take Home 2013 North American Grand Effie

New York, NY - Call of Duty Modern Warfare 3 advert, “The Vet and the N00b” and 72andSunny have won the 2013 North American Effie Award. The spot launched in late in 2011 and early 2012 was directed by Peter Berg with Pony Show Entertainment with the post handled by KILT Studios. The “Vet and the N00b” promoted the Call of Duty brand to a billion dollars in sales in just 16 days shattering previous campaigns.


The Effie’s recognizes the architects of the most effective marketing communications ideas

from around the world.  The jury found the campaign, “ignited the brand's disparate audiences with one insight; the fun isn't in winning, it’s in the progression. The game launch achieved cultural inevitability.”


Mark Baynes, Global CMO of Kellogg’s and Chair of the 2013 Grand Effie Jury said in a statement, “The big idea was brilliantly executed and distributed across the paid, owned, and earned media landscape. …

click here for full story.

SLIM JIM "FIRE" HEATS UP

AICP AWARDS SHOW SHORT LIST'S THE ADVERT FOR THE 2013 SHOW

NEW YORK, NY - Kilt Studios was Short Listed for the 2013 AICP Awards with Untitled director, Glenn Martin, for their work on Slim Jim “Fire.” The advert was conceived by Venables Bell the agency of record for Slim Jim. The concept was very much tongue and cheek. Seagulls find themselves feeding on dropped piece of Slim Jim DARE. Once ingested they breath fire over an unsuspecting beach dwellers. Volleyball nets are torched, beach umbrellas are incinerated and a young boy’s kite drops as a piece of …

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The Team

The people behind the scenes, for more information >

ABOUT US | KILT is space for filmmakers. We use post production toolsets to exploit digital technology in innovative and inventive ways. There is a not a machine or software package we have not broken. We push to find its weaknesses and strengths. And then we utilize it in ways not thought of before to solve our creative challenge. Our experience allows us to create and manage projects at a very high level. We manage projects not based on dogma. We try and strip down the challenges to its simplest, streamlined base. Uncomplicate the process and make it transparent. So that as the project moves forward client and vendor are now partners in the venture and are excited about what lies ahead.

THE FACILITY

Welcome to KILT.

Come visit us on the Lot at Bungalow H,

or flip through our photo gallery and

see our location.

Sales

West Coast and Texas Sales - Lisa Gimenez   lisa@manifestcreative.tv   (619) 838.8868



Partners

Matthew McManus | Partner and Executive Producer

Andrew MacDonald | Partner, Creative Director and VFX Supervisor

Andy Mac



Location

9336 West Washington Blvd. Bungalow H, Culver City CA 90232

Google Maps

Detailed Directions- plus download

Email Us

Tel. 310 202 5500

Fax. 310 202 5501



 

September 13, 2012

Digital Domain

MyOp | Matthew McManus

Perspective


News reports of Digital Domain and the their financial difficulties of come to light in the last week. Their stock has dropped 80% in value in a mere week. John Textor, the CEO who managed their IPO was fired and then replaced with Digital Domain stallworth, Ed Ulbrich. The situation is dire, and one that could have been avoided. We in the VFX community are watching yet another LA based venture crumble. The issue though is not the rebates in Canada or lack of work - it is plain and simple mismanagement.


We all watched from the sideline as the newly vested company built new studios in Florida and Boca Raton. Lured to the states with tax incentives, lower wage workers, the studios at large expense to the local and state governments, but regardless of the tax breaks and or incentives, the cash outlay to manage the operation is large. Then came the foreign studios, all the while Digital Domain in Los Angeles was working on commercial and feature work driving the companies revenue. From out the outside, it did not make any sense. From the outside we could not see the value in the operations. From the outside, we saw well financed and well educated MBA’s driving operations to increase a share price and profit to its stock holders. There must have been a plan.


However, it is clear the plan was not well conceived. Business does not simply arrive once the studio is built, and we are still in the grips of a very reluctant economy. Whatever the revenue projections were they did not maintain to the level necessary to hold the operation together. From the outside it flew in the face of common sense, and in the end unfortunately common sense does in the end rule the day.


Digital Domain has shuttered its operations outside of Los Angeles and Vancouver. Over 500 employees have already lost their jobs. The studio has very little money left in the bank and a bankruptcy judge in Delaware has blocked the Chapter 11 filing and sale of the studio in that protection saying more time is needed to assess the damages to the creditors.


The situation of Digital Domain is not poor work. It is not from lack of work. It is not from lack of exposure. The persons who made the most money at the studio drove the company into a financial panic, which it may never come out of.


The studio has been around for almost 20 years. Many of our VFX counterparts and friends have been through the fire that is Digital Domain. It has been a proving ground for some of most talented artists, producers and engineers in the industry. The company has been founder of digital VFX and a Los Angeles icon. To watch its demise from the hands of someone so distant from the company’s origins is heartbreaking. We all hope for many reasons the company can find its way out. For the employees that are still there, for the VFX community in Los Angeles and the larger business community in Los Angeles. We will all suffer from its loss and we should all bond together for its success. And once we can see they have survived, maybe we can all take a silent but true step back. Realize there is something more than a share price and that the face of a company is not the investment brochure. Companies are built of humans, of families and friends. We are all students of capitalism, but that does not mean profit and loss regardless of the expense. There were people who knew for quite some time where the company was headed, and they choose to either ignore or deceive the condition of the company for their benefit - their profit. This most certainly could have been avoided. Let’s all keep our fingers crossed that can find their way out.

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DIRECTIONS

Kilt Directions_Download

KILT STUDIOS: 9336 WEST WASHINGTON BLVD  |  BUNGALOW H

CULVER CITY CA 90232

Directions from Westside:

Take the 10 Freeway Eastbound to the Robertson Blvd Exit.

Go straight through the light off the exit.

At the next light, Washington Blvd., take a right.

At the next light, take a left on Ince Ave.

Take the first right into Gate 2.

Directions from Eastside:

Take the 10 Freeway Westbound to the Fairfax Exit.

Take a left off the exit on to Washington Blvd.

Continue straight on Washington to Ince Ave.

Take a left on Ince.

Take the first right into Gate 2.

Directions from Hollywood:

Take Fairfax, La Cienega or La Brea South to Venice Blvd.

Take a right on Venice Blvd.

Continue westbound on Venice Blvd to Robertson Blvd.

Take a left on Robertson Blvd.

Take a right at the first light, Washington Blvd.

At the next light, take a left on Ince Ave.

Take the first right into Gate 2.

Directions from The South Bay:

Take the 405 northbound to La Cienega Exit.

Take La Cienega straight over Baldwin Hills.

Continue on La Cienega to Jefferson Blvd.

Take a left on Jefferson Blvd.

Go straight at Y split onto National Blvd.

Continue on National to Washington Blvd.

Take a left on Washington Blvd.

At the second light, take a left on Ince Ave.

Take the first right into Gate 2.

 
 

 

 

VFX ARTIST

 

AGENCY

 

CLIENT

 

DIRECTOR

 

EMAIL THIS PAGE.
 
 

THE TEAM

OFFICE LINE. 310-202-5500


Andy Mac

Partner, Creative Director and Visual Effects Supervisor

Creative Director/Flame Artist/Partner – Andrew MacDonald


MacDonald served as creative director at METHOD/RIOT and previously at CreoCollective. He has built his reputation and staff around the idea of artistic excellence and innovation. His background also includes service at Digital Domain as a senior visual effects supervisor. Collaborating with the top filmmakers in advertising, MacDonald was instrumental in the creation of classic spots for Pepsi, Coca-Cola, Isuzu, MCI and many other advertisers. His work was recognized by numerous awards including four Clios, a Bronze Lion at Cannes and several AICP Awards for excellence.

Born in England, MacDonald earned his Bachelor of Arts degree from Coventry Polytechnic. He began his career as a post production artist, working through such London post production companies as Rushes, The Mill and Moving Picture Company. He went on to found several companies of his own, spanning a diverse range of creative and technical services. One of them, Hughes MacDonald, was the first independent visual effects firm in London.


Awards


BOOST Mobile “Overlooked” – Addy VFX GOLD Dallas – 2012

BOOST Mobile “Bop Bag” – Addy Best in Show Bronze Dallas - 2012

MGM Grand ‘Illusion’ - Shoot Magazine Top Ten VFX Ads – Fall 2008

Hyundi “World on Its Head” – Shoot Magazine Spot of the Week – June 2007

Patanol - Best of TV in Archive Magazine 2005

Coca Cola "Jitterbug" - Clio Award May 1999 - Computer Animation Gold

Pepsi "Goose" - Cannes International Advertising Festival June 1998 Bronze Lion

Isuzu "Giant" - AICP Awards June 1998 Short List Nominations

Pepsi "Goose"

Pepsi "Goose" - The Clio awards May 1998 - Visual Effects Gold, Computer Animation Silver Pepsi "Goose"

Isuzu “Giant” - The Clio awards May 1998 - Visual Effects Bronze

Toyota "Solero" - The Golden lemon Awards 1997 Golden Lemon Visual effects

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THE TEAM

OFFICE LINE. 310-202-5500

IM: MMCMANUS

Matthew McManus

Partner & Executive Producer


all about Matthew and more...

coming soon.



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